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《 Entanglement hearts series 》
Photo by Osamu Nakamura
Year 2020,
pencil and acrylic on the Arches paper,
each size 38 x 28cm
Top row (from left to right)
The heart- Miller-Urey
The heart- Parliament
The heart- Maane of Narasimha
The heart- Stratum reality (Radiolarians, diatoms, foraminifera)
The heart- They return to the ground.
The heart- Gaze
The heart- Earth Men
The heart- CAVE
The heart- Third sector
The heart- Lucy
Middle row (from left to right)
The heart- Cow, person, vulture, dog, fungus, The story of the virus / Inspired from『Flight Ways』(Thom van Dooren)
The heart- Howling
The heart- Garbage anima
The heart- Ta.Ta.U.(Clockwise from the bottom: Ainu, Amami/Ryukyu Arc, Haiwan/Native Taiwanese, Puamau/Marquesas Islands, Copper Inuit/Native North American)
The heart- Ramidus- Beginning ancestor
The heart- polyphonic assemblages of multi species
The heart- Jomon mud organ
The heart- Transmigration
The heart- Hibernation
The heart- Baby Tree
Bottom row (from left to right)
The heart- Asyl
The heart- Heterotopia
The heart- Aporia — Conundrum about people, whales, orangutans and palm oil
The heart- Heterogeneous
The heart- Asura
The heart- Domus
The heart- Planetary Urbanization / Inspired from Neil Brenner
The heart- Humucracy (Humus+Kratos=Humucracy)
The heart- vertebra fruit
The heart- Embryo
Entanglement Hearts Series
Year 2011 ~, Series
pencil and acrylic on the Arches paper, size 38 x 28.6cm
→ ListsExhibition view
Exhibition: 2020 ”Re construction” Nerima Art Museum
EntanglementHearts Series
Text
Entanglement Hearts Series
A series of 10,000 “Hearts” representing the invisible “Entanglement” of life and non-life―
This is a series I have been drawing since I was a student. The “heart" as a symbol of life is reconstructed and depicted as a model of invisible “entanglement” that interweaves countless forms of life and non-life. Many distinct actors make up the “heart.” Animals, insects, plants, fungi, viruses, minerals and man-made objects― all are with us, surround us, support our lives, and are supported by us. The stories of “entanglement” with various actors, however, are not always happy. The drawings also tell unhappy stories of sometimes scrambling, sometimes killing each other, and sometimes usurping and stealing from one other. What keeps us alive? What relationships do we have with others? I always reconsider these questions as I draw.
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